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[ NOTES ]

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[Ton_pkte] Wolfgang Martin Stroh [ 1991 ]

TONPUNKTE | Ton_pkte [1991] Algorithmic System By Wolfgang Martin Stroh Ton_pkte is a part of Algorithmic Music Package they were programmed using Omikron Basic and work on all Atari ST Ton_pkte is a very graphic oriented algorithmic player which use spirals and geometric shapes to determine the output Wolfgang Martin Stroh : www.musik-for.uni-oldenburg.de/index.html

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L O G O S M A T E R

31 / 05 / 2026 AMELIE DUCHOW | LOGOS MATER PUBLIC VISUALS | Tokyo | Japan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PUBLIC VISUALS : https://www.instagram.com/publicvisuals/ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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HAMBURG

elbphilharmonie

LOGOS MATER

sync : TOKYO 2026

sync : HAMBURG 2026

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sync : COLLERAMOLE STUDIO 2026

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new release SCHNITT + GIANLUCA SIBALDI / SCANAUDIENCE / digital - sync sc-013 SCANAUDIENCE is a site-specific live audiovisual performance project in which the audience itself becomes the source of sound and image. This album brings together seven unedited live recordings, each captured during a performance in a different country, documenting how collective presence, space, and technology generate unique sonic outcomes. Developed by Gianluca Sibaldi and the duo SCHNITT (Marco Monfardini and Amelie Duchow), SCANAUDIENCE is based on a custom-built electronic scanner designed by the artists. The scanner is capable of “reading” objects, architecture, and living beings by analyzing their formal and material characteristics, translating both outer appearance and inner structures into sound and moving images. At the center of each performance is a bar of light that slowly scans the audience through vertical and horizontal movements. This light analyzes physical features such as body shape, height, clothing color, and material. The captured data is processed in real time using computer-vision algorithms and a specially developed neural-network system, generating an evolving audiovisual composition. As the scanning progresses, the beam repeatedly passes through the crowd, accumulating and transforming data into increasingly dense sonic textures. Each individual scanned produces a distinct sound and visual signature. In this way, the audience is no longer a passive observer but the true protagonist of the performance, directly determining the audiovisual output under the artists’ direction. The resulting soundscape is inseparable from the specific space, the collective body present, and the temporal flow of the event. The seven tracks presented here are direct documents of these live situations. Together, they form a sonic archive of scanned presence across borders—a cartography of bodies, light, and data in constant transformation. More than a live album, this release functions as an instrument of perception, revealing hidden correspondences between visual and sonic phenomena through real-time scanning and translation. Concept and Music : SCHNITT (Marco Monfardini, Amelie Duchow) and Gianluca Sibaldi Computer System and Programming : GIANLUCA SIBALDI and MARCO MONFARDINI Production : Sync / Extrasync

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photo : Jan Wilken

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21 / 02 / 2026 AMELIE DUCHOW | LOGOS MATER | MULTIPLICA Festival | Rotondes: | Luxembourg

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sync : LINZ 2026

photo : Sturm Laurent

photo : Pecorini

06 / 02/ 2026 AMELIE DUCHOW | LOGOS MATER | Resonant Realms | Sirup | Linz | Austria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

photo : Jürgen Grünwald

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sync : PERPIGNAN [ Amelie Duchow ] 2025

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Public Visuals is an audio-visual event series that began in New York in 2019. Curated by Toru Izumida, it has introduced media artists, musicians, visual artists, and experimental performers. Since then, the series has continued to take place internationally, mainly in New York and Tokyo. The project explores the relationship between sound, image, space, and perception. Through performances where audio and visuals are closely connected, Public Visuals aims to create direct sensory experiences that speak to both the eyes and the ears. The number attached to the title “Public Visuals” refers to the idea of “from year zero to the present” — a gesture of respect toward the long history of visual and sonic expression. Rather than focusing only on the newest technologies, Public Visuals seeks to remain open to a wide range of artistic languages, from digital media and generative systems to performance, sound art, and more intimate forms of visual expression. At its core, Public Visuals is a place for artists and audiences to meet, share, and experience new forms of connection through audio-visual expression. [Toru Izumida] https://www.instagram.com/publicvisuals/ https://www.youtube.com/channel/UCteNoch2jnHnT-WratfBPRg

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Public Visuals

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PUBLIC VISUALS | Tokyo | Japan

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FROM TALLINN TO TARTU | Schnitt + Aoi Yamaguchi | Calligraton live in Estonia

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sync : SINGAPORE 2025

OPEN SOURCE ART FESTIVAL

04 / 09 / 2026

Sopot / Poland

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Amelie Duchow / LOGOS MATER POLSKA photo : Konrad Gustawski

https://www.kolonia-artystow.pl/article/kolonia/319 https://www.instagram.com/kolonia.artystow/

KOLONIA ARTISTOW

Active since 2001, Kolonia Artystów has consistently represented a significant point of reference in the Polish art scene. Kolonia Artystów is a key institution in Gdańsk, it promotes and disseminates art, including independent and niche practices upporting and organising cultural, artistic and social projects. Under curator and founder Sylwester Galuschka, these long-standing activities foster an open and interdisciplinary artistic community. Since years he is curating at Kolonia Artystów experimental sound, electronic music and multimedia art, including the Open Source Festival, the Black Box quadriphonic listening space, and experimental music concert series as the 3in1 concert series, DNA (presenting some of the most interesting musical and video projects in the field of drone, noise and ambient). Kolonia Artystóws exceptionally austere interior provides an ideal backdrop for hosting artistic works, projects and an ideal working space. The venue also houses a small reading room, a library, a record shop and a café.

DAZE : BUSHCRAFT With Bushcraft, Gabriele Gai opens a new chapter in his artistic journey and, for the first time, releases his work on Sync under the moniker DAZE. Bushcraft begins as an act of listening. A collection of compositions where rhythm, space and memory intertwine naturally, allowing sound to unfold without seeking a definitive form. Electronics coexist with granular textures and a restrained compositional language. The pulse does not drive the music; it accompanies it. Every element finds its own pace, every silence retains its own weight. Three spoken voices move through the album, they do not tell a story, nor do they ask to be fully understood. They appear as presences: fragments of memory, passing thoughts, sonic material alongside synthesisers, piano and reverberation. Rather than marking a change of style, Bushcraft reflects a shift in perspective. A new artistic identity that does not break with the past, but reveals a part of it that has, until now, remained unheard. This first release under a new name is an invitation to inhabit the act of listening, where melancholy is not a destination, but a way of paying attention.

title : BUSHCRAFT artist : DAZE music : GABRIELE GAI n° catalogue : sync / sc-015 format : digital production : sync artist website : DAZE

22 / 09 / 2026 SCHNITT + AOI YAMAGUCHI | CALLIGRATON | FABBRICA EUROPA FESTIVAL | Tenax | Firenze

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19 / 09 / 2026 SCHNITT + AOI YAMAGUCHI | CALLIGRATON | LEV MATADERO | Madrid | Spain

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AMELIE DUCHOW : LOGOS MATER L OGOS MATER is the new album by Amelie Duchow, a sonic research inspired by the phonetic diversity of languages and by the distinctive rhythmic, timbral and acoustic structures that define their sonic identities. Combining experimental electronics, rhythmic structures, ambient textures and transformed vocal fragments, LOGOS MATER investigates the sonic dimension of language beyond the meaning of words. Accents, intonations, speech rhythms and phonetic nuances become compositional material, revealing the unique musicality embedded within linguistic diversity. Developed from voice contributions by participants from different linguistic and cultural backgrounds, the album transforms spoken language into multilayered sonic landscapes. Individual voices are fragmented, processed and recomposed, creating a listening experience in which language returns to its elemental qualities: breath, rhythm, resonance and vibration. Every language carries its own music. LOGOS MATER is an invitation to listen to these differences not as boundaries, but as shared resonances. All contributors whose voices became part of the project until February 2026 are acknowledged in the album credits

title : LOGOS MATER artist : AMELIE DUCHOW music : AMELIE DUCHOW n° catalogue : sync / sc-014 format : LP 12 vinyl / digital production : sync

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09 / 10 / 2026 AMELIE DUCHOW | LOGOS MATER | KONTEJNER | Zagreb | Croazia

sync

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Based in Seoul, THILA Jiha is a venue dedicated to sound as a spatial and perceptual medium, bringing together sound, lighting and architectural design. Relaunched on 28 March, it operates under WeSA, a Seoul-based platform working across experimental sound, audiovisual practices and art. THILA considers sound beyond its conventional musical function, focusing on its capacity to shape space and experience. Since its first opening, the venue has presented projects situated between performance and exhibition, including SOUND☆JIHA, featuring electronic music artists from Seoul; SOUND SEOUL, developed in collaboration with Art Center Nabi; and SOUND : AL, a sound installation by GAZAEBAL, director of WeSA. The venue is organised into two spaces, THILA Ground and THILA Jiha, each conceived around a distinct relationship between sound, space and audience. Opened in January 2024, THILA Ground is dedicated to audiovisual performance and serves as the main venue for the WeSA Festival, established in 2014. Its sound system is based on L- Acoustics technology, also deployed at international festivals such as Coachella, Tomorrowland and Wonderfruit. THILA Jiha, the club space, reopened on 28 March. Here, architecture, sound design and lighting form an integrated environment in which the conditions of listening and the perception of sound become central to the experience. The venue's development marks a shift from a utilitarian setting towards a space for sonic research. Its initial premise was to investigate the depth and intensity associated with club environments, while questioning how these conditions might be deliberately constructed and what spatial frameworks are appropriate for experiencing underground sound culture. https://www.instagram.com/thila.seoul/ https://www.wesa.kr/ https://www.instagram.com/wesa.seoul /

THILA Seoul

photo : Zoe Sarlija

photo : @ LEV Fesival @ estudio_perplejo

photo : Kalev Lilleorg

photo : @2026 Bloom Fig.co, ltd

photo : Pulse Festival

sync

[ NOTES ]

[ LIVE DATES ]

title : BUSHCRAFT artist : DAZE music : GABRIELE GAI n° catalogue : sync / sc-015 format : digital production : sync artist website : DAZE

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09 / 10 / 2026 AMELIE DUCHOW | LOGOS MATER | KONTEJNER Zagreb | Croazia

22 / 09 / 2026 SCHNITT + AOI YAMAGUCHI | CALLIGRATON FABBRICA EUROPA FESTIVAL | Tenax | Firenze

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19 / 09 / 2026 SCHNITT + AOI YAMAGUCHI | CALLIGRATON LEV MATADERO | Madrid | Spain

OPEN SOURCE ART FESTIVAL

04 / 09 / 2026

Sopot / Poland

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Amelie Duchow / LOGOS MATER POLSKA photo : Konrad Gustawski

https://www.kolonia-artystow.pl/article/kolonia/319 https://www.instagram.com/kolonia.artystow/

KOLONIA ARTISTOW

03 / 07 / 2026 AMELIE DUCHOW | LOGOS MATER | BALTOSCANDAL Rakvere Teatri | Rakvere | Estonia

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sync : COLLERAMOLE STUDIO 2026

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title : LOGOS MATER artist : AMELIE DUCHOW music : AMELIE DUCHOW n° catalogue : sync / sc-014 format : LP 12 vinyl / digital production : sync

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T O K Y O

L O G O S M A T E R

31 / 05 / 2026 AMELIE DUCHOW | LOGOS MATER PUBLIC VISUALS | Tokyo | Japan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PUBLIC VISUALS. . . . . . . . . . . . . . . . . https://www.instagram.com/publicvisuals/ . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Public Visuals

sync : TOKYO 2026

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PUBLIC VISUALS | Tokyo | Japan

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Based in Seoul, THILA Jiha is a venue dedicated to sound as a spatial and perceptual medium, bringing together sound, lighting and architectural design.It operates under WeSA, a Seoul-based platform working across experimental sound, audiovisual practices and art. THILA considers sound beyond its conventional musical function, focusing on its capacity to shape space and experience. Since its first opening, the venue has presented projects situated between performance and exhibition, including SOUND☆JIHA, featuring electronic music artists from Seoul; SOUND SEOUL, developed in collaboration with Art Center Nabi; and SOUND : AL, a sound installation by GAZAEBAL, director of WeSA. The venue is organised into two spaces, THILA Ground and THILA Jiha, each conceived around a distinct relationship between sound, space and audience. Opened in January 2024, THILA Ground is dedicated to audiovisual performance and serves as the main venue for the WeSA Festival, established in 2014. THILA Jiha, the club space, reopened on 28 March. Here, architecture, sound design and lighting form an integrated environment in which the conditions of listening and the perception of sound become central to the experience. The venue's development marks a shift from a utilitarian setting towards a space for sonic research. Its initial premise was to investigate the depth and intensity associated with club environments, while questioning how these conditions might be deliberately constructed and what spatial frameworks are appropriate for experiencing underground sound culture. https://www.instagram.com/thila.seoul/ https://www.wesa.kr/ https://www.instagram.com/wesa.seoul /

THILA Seoul

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24 / 05 / 2026 AMELIE DUCHOW | LOGOS MATER | SONIC BLOOM Wanderloch Hall | Seoul | South Korea

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[Ton_pkte] Wolfgang Martin Stroh [ 1991 ]

TONPUNKTE | Ton_pkte [1991] Algorithmic System By Wolfgang Martin Stroh Ton_pkte is a part of Algorithmic Music Package they were programmed using Omikron Basic and work on all Atari ST Ton_pkte is a very graphic oriented algorithmic player which use spirals and geometric shapes to determine the output. Wolfgang Martin Stroh : www.musik-for.uni-oldenburg.de/index.html

T O N P U N K T E